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“Inga panam illaama irukara ovvoru payanukkum padippu kedaikanum,
Padippu ezhaingalukku etta kaniyakida kudathunu thaan sir naan ippadi paninen - Gentleman
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Naattaiye azhikera oru governor irundha enna illana enna - Kadhalan
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Podhupanithurai, Pokuvarathuthurai, Kalvi, Sugadhaaram, Minsaram ippadi
ella thurailayum lanjam vaangi vaangi naatai seer kedhututeenga - Indian
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Indha America cosmetics ellam nekku pidikaathu. enakku therinchathellam thallaikku seiyakkai, udambukku manjal thool. Please itha ellam edhutundu poidungoo - Jeans
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Enakku thevayellam ettu mani nera thookam, poo pola naalu idli, pudhina chatney, mansakku niraivana vellai, appa ammavoda oru kai rummy, pooncholai kiramathilai oru azhaghana ratchashi - Mudhalvan
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And now BOYS.
Completing half-a-dozen movies successfully with BOYS is the whiz kid Shankar. Brought up in the neighborhoods of Chennai and having done his schooling and college in Chennai, this is shankar's wish to celebrate the coming of the age of adolescence. His boldness to describe BOYS as they are has helped him to come out of his pedestrian fantasy movies.
Keeping out the controversies of the media to the end of this review, Boys is a movie with no false pretensions, no intended puns and a no-nonsense movie. Even if you have the smallest nail in the world, I can write the story on it. Five guys and a girl find their hidden talents due to unforeseen situations and take an elevator to their career. The thread that unites them is friendship and love. What begins as a small time eve teasing ends up in a relationship that displays a spectrum of emotions, debacles and re-unions.
Sidharth playing the quasi-hero, leaves a distinctive influence of a typical lover boy in us. Harini playing the full-time heroine is the most natural of all the characters. To use an often used cliche, amazingly brilliant performance. Not a typical heroine to just run around those lavender farms. To our surprise, she often gives a FINGER. Good one.
The other BOYS have done their best and 'natural acting' comes so easily to them. That innocent looking Kumar has given a flambuyoant performance. Vivek as Mangalam sir is a typical drunkard whom we find in every other bar in Chennai. He has downplayed his comic sense to match the character. The surprise is senthil's cameo role. It is a sure shot shankar punch to explain Information is wealth through a most unassuming character of senthil. Glimpses of classic characterization.
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